A reconstruction of a primary school journal entry, circa 1990:
On the weekend, mum and dad took us on a long drive to a place called Woodend. We went there to go to a jukebox auction. We bought a jukebox. When we got it home, mum and dad turned off the money bit so you don’t even need coins. My favourite song is ‘Leader of the Pack’ by the Shangri-Las.
At the time, I genuinely thought this was a thing that parent-type people did; go for a drive one random weekend and buy a secondhand jukebox. It was only much later that I asked myself, “What on earth possessed my parents to do that!?”
I’m still not exactly sure, but it was a Rock-Ola model 433 and it was the best.
We got to play whatever music we wanted and we knew where the secret cancel button was if someone picked something rubbish. Our friends loved coming over and playing it (as did their parents) and we had some awesome parties with the jukebox providing the soundtrack. We rummaged through op shops and trash and treasure markets for the elusive record singles it played. It was such a thrill to actually find a few. And when we did, we took them home, catalogued them and typed up a title strip to slide into the display window.
Later mum and dad got a pool table and darts board too so the jukebox lived in the poolroom. It was sort of like the best man cave ever, only better because we all got to play there and the whole idea wasn’t rooted in toxic masculinity.
The thing is, I realise now that the very best thing about that jukebox was the invaluable musical education it gave my sister and me. Absolutely priceless.
So when we got to Memphis we headed straight for Sun Studio which is considered by many to be the birthplace of rock and roll. Walking through the doors, I felt intimidated. Not because of the calibre entertainer that had passed through them before me but because I felt like a bit of a poser. I didn’t know much about Sun Studio, only what I’d read in my dog-eared Lonely Planet, and I was dreading having to feign recognition when the guide inevitably started rattling off the musical names associated with the place’s history.
I thought it might be a bit like that time we went to Florence and went to about forty famous art galleries and museums before we realised we know nothing about art or European history.
But, that wasn’t the case at all this time. Aside from the administrative characters associated with Sun Studio, I had a pretty good strike rate of recognition. No posing for this little tourist, just enthusiastic nods of recognition.
And it made me realise what a good job my folks had done of educating me in all eras of music and in encouraging me to enjoy and appreciate music that had come years before me. Elvis recorded ‘That’s All Right (Mama)’ at Sun Studio in 1954 and the fact that this music remains relevant to me today makes me feel totally warm and fuzzy inside.
I’m not suggesting every artist I know passed through that old Rock-Ola, but the fun we had listening to old music on that thing certainly gave me a taste for different styles of music. More than that, it gave me a fundamental understanding that there is value and reward in looking back and in preservation.
This is my absolute favourite thing about travelling. That thing that happens when you take the time to venture out and try something new, and the connections your mind makes when you’re trying to make sense of it all. In my case it was realising how lucky I am to have parents who not only exposed me to all kinds of music growing up, but who created such happy memories in my childhood. Memories that suddenly come flooding back standing in front of a tour guide at a 78-year-old Memphis recording studio.